Showing posts with label Bronze Age. Show all posts
Showing posts with label Bronze Age. Show all posts

Tuesday, August 14, 2012

Travel, Trade and inter-Cultural Exchange

Reviewing and continuing from my last post, and still based on David Anthony's work The Horse, the Wheel and Language, we can explore a bit deeper into the economic activity along the route taken by the Bactrians from the steppe region north of the Black Sea and Caspian Sea to a settlement that became a kingdom in Bactria at the foot of the Pamir mountains along the Amu Darya.

By 3,500 B.C., trade routes were being blazed by early traders that instigated the movement toward the global village in which we live today.  Material goods were carried by the merchants and were acquired by different settlements, even different cultures, along the length of the route.  This development makes it much more difficult to assign the artifacts discovered in excavated ancient sites to one culture rather than the other.  But if a group of sites yield great amounts of a certain type of goods and the technology for making those goods is also found on the site, it is assumed that the complex of settlements using that type of goods to a great extent were in close cultural association.  They constitute an ethnic group with similar if not identical beliefs, rituals, societal organization and burial customs.

This is my brief explanation of how the Bactria-Margiana Archeological Complex is identified.  After all, the people in those regions left no written records until much later in their history.  The buildings, housewares, ritual objects and personal accessories were buried in the ruins of a community or in the ancient burial grounds.  However, we remind ourselves that the trade route even at this time allowed the exchange of material goods and language, and from a shared language come the metaphysical assumptions rooted in the language.   These exchanges -- at least of the material goods -- were happening in places as distant from each other as Ur in Chaldea, Bogazkoy in Anatolia, Mohenjo Doro in the Indus Valley Bactria along the Amu Darya and Kashgar in Western China.

The Bactria-Margiana culture became influential in the Bronze Age, beginning around 2,000 - 2,500 B.C., through the tin trade.  Tin mines were active in Anatolia and in the foothills of the Pamir mountains, an offshoot from the West end of the Himalayas.  The mine lay between Bactria and Kashgar, just over the Pamir in what is now the northwest region of China.  Naturally, merchants followed the even more ancient path of the migrating people of the Neolithic through the mountain pass and then the tin was passed along to various cultures within the huge geographic area now known as China.

Tin was a desired commodity because it is a necessary ingredient of true bronze and it was bronze that made tools tough enough and sharp enough to work stone into ritual vessels, personal ornaments that both decorated the household or person and stored wealth and therefore could be exchanged for other necessities.  Bronze tools and weapons empowered the user in work and in hunting or fighting.  Bronze tools held a point and a sharp edge longer than the former copper tools had done.  Bronze as well as copper could be cast in stone molds to form small copper and bronze seals or ritual and household vessels.
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Jade workers in settlements along the eastern part of this trade route were no doubt eager to turn in their bamboo, stone and bone tools for bronze tools.  Here is a jade item at least several centuries old, if not a few thousand, on which you can see what I think are the irregular diagonal traces of a hand saw that was not totally abraded to a smooth surface.  Granted the saw could have been an iron or steel saw if the piece is only several hundred years old.

My next blog entry will continue this brief and casual review of the cultural background and the influence of the ancient Bactria-Margiana people. 


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Thursday, March 29, 2012

The Chimera in Ancient Bactria and Other Places


A chimera is an imagined species cross so that the offspring is born with anatomical parts from both parents.  For a hypothetical example, a horse and cow crossbred might produce an animal with a stallion’s  head and body and a cow’s rump and milk bag.  That is the kind of image that is created on the basis of the legends that have developed in many different cultures of the world.  
The Bible’s book of Genesis (Beginnings) mentions that angels mixed with the corrupt daughters of men and produced monsters.  The images of such monsters have decorated temples and tapestries, possibly from that early time forward.  Greek mythology is replete with monstrous images of supposed mixtures of gods and humans and humans with animals; often the story is of a Greek god in the body of an animal ravishing a human woman and in some cases the story even names the resulting monster and makes him into a hero or a villain. 
Excavations of palaces and tombs in Bactria have yielded many images on seals and small figurines that show chimera.  The Bactrian culture seems to have entertained the idea of such crossbreds and they took their artistic expression of such creatures to a high degree.  There may be a natural explanation of the Bactrian people’s interest in crossbreds, because their predecessors in that region domesticated the wild animals of their region.  And to their eyes, the resulting offspring indeed resembles both the ancient parents of the new grass-eating domestic animal.  The moufflon is an intermediate stage of the domestication process perhaps.  
In Victor Sarianidi’s book Myths of Ancient Bactria, page 62, No. 63, there is an illustration of a human male with a bird-like head and wings.  The seal is in our collection of seals and amulets, and was authenticated and interpreted thus by Dr. Sarianidi when he visited our collection: ‘Copper amulet, 3.5 x 3.0 cm.  Kneeling bird man with a crest on his head.’ 
If you have questions regarding this seal, leave a comment at the end of the blog entry.  I will respond. 

A more spectacular example of a chimera is this statuette in my collection.  The statuette is made of porphyry, which came to be known as the stone of nobility, since it is used in temples and palaces for the columns and for the tombs of rulers.  
It is a brownish red or maroon color and has a marbling pattern that makes it very noticeable when it is used for decoration or ornamentation.  To my eyes, this appears to represent a hybrid of a duck and a rooster. 
If you are interested in discussing this item, please feel free to comment.  I will be notified of your message and I will respond.  



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Thursday, December 22, 2011

The Signet Seals of Pre-Literate Early Bactria-Margiana

No actual alphabetic messages have yet been found on any artifact excavated from or found on the surface of one of the sites of the Bactria-Margiana Archeological Complex. Geographically, the more or less agreed upon boundaries of BMAC  area would be Southern Turkmenistan, Eastern Iran and most of Afghanistan reaching over to the Indus Valley in what is now Pakistan. The time frame of the most meaningful cultural items produced by these mobile but not migrant farmers and animal domesticators that inhabited the oases and river plains was about 4,500 years ago to 3,600 years ago. They did not disappear after this time, but other cultures blended with theirs so thoroughly that the area congealed into a trade system that spread many of their products far and wide throughout the Middle East, often including parts of Europe, and almost always including North Africa and the Arabian Gulf.

But in the pre-literate period for the Bactria-Margiana culture -- 4,500 - 3,600 years ago -- the people used seals with cultic or at least mythical symbols. In the case of stone seals, the images were engraved; in the case of bronze, copper or occasionally silver seals, the images were cast. The seals were usually furnished with a device that would allow the owner to wear or carry the seal. In fact, so many of the seals were decorated with mythical images that Dr. Sarianidi, the excavator of much of the archeological material, calls them amulets, and after long field experience with the amulets, he has interpreted the meanings of the amulets. His work is published in Myths of Ancient Bactria-Margiana on its Seals and Amulets.

One of the more artistic of the published seals is the copper image of a wolf killing a goat. The device for hanging the seal on a cord is the loop in the center of the image that shows as a protrusion in that area.

The seal in the photo is a naturalistic one, and may not carry any mythical meaning. The more abstract seals that I hope to explore in later blogs will carry the proto-Zoroastian message that was later expressed in the old Indo-European language in their sagas.

This side is the side that would have been held by the loop while the opposite side was pressed into the clay or wax in order to seal a message or a possession, leaving an embossed expression in the sealing medium.

These seals were made beautiful because they were an adornment of the person, expressing the person's identity, status and in some cases, their religion, in a special amulet.

For photos, descriptions, prices, shipping policies  and Certificates of Authenticity for artifacts in my collection from Bactria,  CONTACT ME through the private message form above right.